
Phd defense
A Queer and Maroon Photography
A Queer and Marron Photography – Representing the Memories of Slavery in the Postcolonial Era
Thesis Defense – Thursday, June 5, 2025, at 2:00 PM
Ygrec Art Center – ENSAPC
Under the supervision of Sylvie Brodziak (CY Cergy Paris University) and Corinne Diserens (Hamburger Kunsthalle, ETH Zürich)
Jury members: Sylvie Brodziak (CY Cergy Parisi Université), Corinne Diserens (Hamburger Kunsthalle), Myriam Cottias (CNRS), Antoine Idier (Sciences Po Saint-Germain-en-Laye), Simon Njami (Sorbonne), Magali Nachtergael (Université de Bordeaux), Anne-Marie Petitjean (CY Cergy Parisi Université), Rafael Sanzio Araújo dos Anjos (Universidade de Brasilia).
This thesis brings together two complementary dimensions of artistic research: a photographic practice developed around the memories of resistance to slavery — particularly the memory of Nego Fugido in the community of Acupe (Bahia, Brazil) — and a theoretical reflection on the foundations of a “queer and marron photography,” envisioned as a way of “seeing from below” and “seeing askew.” The work explores the capacity of photography to convey subaltern memories and to deconstruct hegemonic imaginaries, at the intersection of aesthetics, ethics, and critical thought.
Limited seating, reservation required.
Thesis Defense – Thursday, June 5, 2025, at 2:00 PM
Ygrec Art Center – ENSAPC
Under the supervision of Sylvie Brodziak (CY Cergy Paris University) and Corinne Diserens (Hamburger Kunsthalle, ETH Zürich)
Jury members: Sylvie Brodziak (CY Cergy Parisi Université), Corinne Diserens (Hamburger Kunsthalle), Myriam Cottias (CNRS), Antoine Idier (Sciences Po Saint-Germain-en-Laye), Simon Njami (Sorbonne), Magali Nachtergael (Université de Bordeaux), Anne-Marie Petitjean (CY Cergy Parisi Université), Rafael Sanzio Araújo dos Anjos (Universidade de Brasilia).
This thesis brings together two complementary dimensions of artistic research: a photographic practice developed around the memories of resistance to slavery — particularly the memory of Nego Fugido in the community of Acupe (Bahia, Brazil) — and a theoretical reflection on the foundations of a “queer and marron photography,” envisioned as a way of “seeing from below” and “seeing askew.” The work explores the capacity of photography to convey subaltern memories and to deconstruct hegemonic imaginaries, at the intersection of aesthetics, ethics, and critical thought.
Limited seating, reservation required.